The latter was made for a world where superhero movies had yet to go nuclear, and the former was made for a world that was absolutely soaked in radiation. All the same, it’s still a fascinating piece of corporate product for how it contrasts with the Sam Raimi film that previously told a very similar origin story. #THE AMAZING SPIDER MAN 2 2014 FULL MOVIE SERIES#The first installment of Marc Webb’s spectacularly ill-fated reboot series swung into theaters with all the enticing freshness of that sweaty leftover meat you should never have put in the microwave, and audiences turned out for it because modern Hollywood is pretty much just an unholy union between Stockholm Syndrome and air conditioning. READ MORE: How “Spider-Man: Homecoming” Will Save Sony’s Summer And Launch Several A-List Careers 5. #THE AMAZING SPIDER MAN 2 2014 FULL MOVIE MOVIE#How did anyone let Electro happen? Who convinced these people that shoehorning Harry Osborn into the story would steer it in the right direction? Why is the great Sarah Gadon playing a building? Did we all die when Peter Parker said that he does “web designs,” making the last three years of life on Earth a collective hallucination like in “Jacob’s Ladder?” And seriously how did anyone let Electro happen?Ī classic case of terrible food and such small portions, the worst part of sitting through “The Amazing Spider-Man 2” might be that the Herculean effort is all for naught in an unprecedented moment of Hollywood cruelty, the movie ends with the promise of a sequel in which a demented Paul Giamatti will terrorize Manhattan from inside a giant mechanical rhinoceros. There are still so many unanswered questions. “The Amazing Spider-Man 2” (2014)Īn 150-minute parade of bad decisions, “The Amazing Spider-Man 2” is a masterpiece of missteps, the “Singin’ in the Rain” of tripping over itself. Here they are, ranked in order from worst to best. “Spiderman: Homecoming” marks the sixth dedicated Spider-Man movie since 2002, and it’s a fascinating next step for a superhero whose movies have represented the highest highs - and the lowest lows - of his genre. After all, what is Peter Parker if not a kid who’s trying to figure out who he is, who he needs to be, and how he’s supposed to fulfill the expectations placed upon him? And while that has made for some frustrating stops and starts along the way (and three different Spider-Men in the span of 14 years), it almost works to the character’s advantage. Whenever Spidey’s web has started to sag under its own weight, the studios have felt free to just wipe the slate clean and start from scratch. Of course, the smallness of his character has a tendency to clash with the Hollywood ethos that bigger is better. It’s nice to guard the galaxy, but somebody has to keep an eye on Queens. Spider-Man is a friendly neighborhood hero in an age of foreboding cinematic universes.
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